Contemporary Navajo Weaving: Dazzler/Teec Nos Pos, Weaver Betty Rose Begay, 44″ x 26″

$1,275.00

Style Number: STP-DM115 Categories: , , , Tag:

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Dazzler/Teec Nos Pos

Dazzler/Teec Nos Pos Contemporary Weaving Navajo is by Navajo weaver Betty Rose Begay. The size is 44″ x 26″.

Eye Dazzler (Germantown) Period (1880–1900)

The influx of Germantown three- and four-ply yarn entered the Navajo weaving story in the 1880s. Its brilliant colors, and the Navajo weavers’ thirst for this color, added style to the sedate “Chief’s Patterns.” Germantown yarn gave birth to the “Eye Dazzler.” Brilliant reds, greens, yellows, blues, and more found their way into blankets and wall hangings.

At this same time, aniline dyes were stocked by the trading posts. These chemical dyes gave the weaver a greater variety of colors and were far easier to use.

Until 1890, most weavers created wearing blankets. However, once the Pendleton Woolen Mills introduced their product, this need ended. The Pendleton (still used today) was lighter, warmer, every bit as colorful, and much less expensive. Navajo weaving declined. It probably would have died except that non-Indian people started using Navajo blankets as floor coverings, bedspreads, and wall hangings. This new demand, coupled with pattern changes and a heavier style of weaving (largely instituted by the reservation traders), undoubtedly saved the craft.

The transition was not immediate. Germantown weavings proliferated well into the 20th century, with a definite eye to balance the pattern. This more expensive yarn was only used by the better weavers.

Teec Nos Pos

Always surrounded by a wide border and filled with an exuberant variety of motifs, Teec Nos Pos rugs are often large. Because of their size and complexity, Teec Nos Pos can be very expensive.
An elaborate center is often enhanced with stylized feathers and arrows. Clawlike, angular hooks extend from the points of diamonds and triangles; zigzags are everywhere. The wide borders of a Teec Nos Pos rug often contain a lightening path.
Contrasting colors outline many elements, and there are lot’s of diagonal lines. There is no rule for colors in a Tec Nos Pos rug, although of course they must harmonize.
Teec Nos Pos is a bold, busy, exciting design. Many experts believe it developed from pictures of Persian rugs; others see no connection.
The name comes from a settlement in the northeast corner of Navajo country. It means “Cottonwoods in a Circle.”
However similar rugs are woven from Mexican Water on the west Beklabito, New Mexico, on the east.

Guide to Navajo Rugs

There is an ageless beauty to Navajo weaving. Navajo weavings are many things to people. Above all else, Navajo weavings are masterworks, regardless of whose criteria of art is used to judge them. They are evocative, timeless portraits which, like all good art, transcend time and space. Navajo weaving has captured the imagination of many not only because they are beautiful, well-woven textiles but also because they so accurately mirror the social and economic history of Navajo people. Succinctly, Navajo women wove their life experiences into the pieces.

Navajo people tell us they learned to weave from Spider Woman and that the first loom was of sky and earth cords, with weaving tools of sunlight, lightning, white shell, and crystal. Anthropologists speculate Navajos learned to weave from Pueblo people by 1650. There is little doubt Pueblo weaving was already influenced by the Spanish by the time they shared their weaving skills with Navajo people. Spanish influence includes the substitution of wool for cotton, the introduction of indigo (blue) dye, and simple stripe patterning. Besides the “manta” (a wider-than-long wearing blanket), Navajo weavers also made a tunic-like dress, belts, garters, hair ties, men’s shirts, breechcloths, and a “serape-style” wearing blanket.